Celebrating the Summer of ’69 at the CMU Museum

By Caity Burnell

Besides the drilling and hammering sounds from the multiple construction projects, most of campus is quiet in the summer. One exception is CMU’s Museum of Cultural and Natural History in Rowe Hall. School field trips finished up for the year in mid-June, and while museum staff miss seeing school groups, the summer months are filled with various exciting activities. Many visitors come to enjoy the new “Kozmic Clash: Peace, Love, and Outer Space” exhibit, which opened in April 2019. As a collaboration between Museum Studies faculty and staff and Museum Studies/Cultural Resource Management/Public History students, the exhibit celebrates the groundbreaking innovation and creativity of 1969, such as the Apollo 11 moon landing and Woodstock festival. An accompanying hands-on gallery “Feel the Music” is a great space to experiment with music in a fun environment. Visitors can express their creativity by drawing with chalk on “Honey Bear” the VW minibus that is in the museum lobby. This is an exhibit for people of all ages because for some, it is a brand-new topic, and for others it sparks nostalgia and memories from their personal history, such as the record album artwork displayed in the hallway. The research and a personal object from one of the History Department’s faculty members are even on display in the exhibit. Come visit the museum and see if you can spot the object!

Since the museum is a laboratory for students to gain hands-on experience, this was a great learning opportunity for many who work and volunteer at the museum. One, Brad Davis, created an interactive exhibit on the Main Gallery ceiling about the moon landing for the fulfilment of his CRM creative endeavor. He designed a comic book about the Apollo 11 astronauts’ journey with missing pieces of information that visitors fill in by shining a backlight flashlight up to the ceiling to expose the missing words. While this was experimental in nature—to see if an interactive ceiling exhibit worked—Brad found that it is a success after surveying school groups and the public.

PictureD: Brad Davis demonstrating the Interactive Ceiling

PictureD: Brad Davis demonstrating the Interactive Ceiling

This summer the museum is hosting its annual Tour Tuesday series, offering free public programs on Tuesdays in July. The first was on July 9 at the Bohannon Schoolhouse and the beautiful weather allowed visitors to not only spend time inside experiencing a typical 1901-era school day but also go outside and play vintage games. The next three programs are at the museum, held in the galleries and lobby on July 16 (Moon Landing), July 23 (Feelin’ the Music), and July 30 (Habitats and Homes). More information is available on the museum’s Facebook page: https://www.facebook.com/CMUMuseum/.

Also happening in July is Curious Curators. One of the museum staff’s favorite programs, this special one-day program lets six students entering either fourth or fifth grade experience a day as a museum professional. Their day starts with a behind-the-scenes tour of the museum, they then each work closely with a staff member to create a new exhibit. This year’s participants will each be researching and writing a label about a museum object related to the events and culture of 1969. Other activities include visiting the Bohannon Schoolhouse, touring parts of campus, and then showing their families around the museum at the end of the day.

In between these various programs, staff are busy solving collections conundrums, developing new educational programs, brainstorming future exhibits, and more. Local summer camp groups are visiting the museum including the City of Mount Pleasant Parks and Recreation’s PEAK program and Renaissance Public Academy, whose students are creating their own mini museums using school resource kits borrowed from the CMU Museum. The groups visited the museum and enjoyed discussing how changes in technology have affected peoples’ lives throughout history and looked at old cameras and phones as examples.

While any day of the year is a great time to visit the CMU Museum, summertime is especially wonderful as there are fewer groups and it offers a nice break from the outside heat. The museum is free and open to the public weekdays 8-5 and Saturdays 1-5. CMU requires weekday guests to have a parking pass, which are available at the museum’s main office in Rowe 103 or online at https://apps.cmich.edu/vehicleregistration/guest/default.aspx. To reserve a program for a group, call 989-774-3829 or visit www.museum.cmich.edu.


Caity Burnell is the Museum Educator and Research Collections Coordinator at the CMU Museum of Cultural and Natural History and a CMU Museum Studies Alum. Caity teaches in the Museum Studies program at CMU, including the classes MST 325: Public Programming in Museums and MST 310: Introduction to Museums. For more information on the museum visit the staff page on the CMU website and follow them on twitter or instagram!

  1. Twitter handle: @CMU_Museum

  2. Instagram: @cmumuseum

Fragments of Women’s Lives

Catherine Flanagan of Connecticut Delivers Her State’s Suffrage Ratification to the State Department. 1920.  Library of Congress .

Catherine Flanagan of Connecticut Delivers Her State’s Suffrage Ratification to the State Department. 1920. Library of Congress.

By Tara McCarthy

I tell myself that my next project will have plenty of sources available—that I will choose something I know has sources—manuscript collections, but in the end, I doubt this is the case because I find myself drawn to study women who didn’t leave much behind. I am convinced that I will be able to find something anyway. We will see. But this women’s history month, I would like to reflect on the risks and rewards of studying obscure women. There is indeed something very rewarding about uncovering the everyday, the rank and file, and the forgotten.

I have just completed a book manuscript. I spent many years on it, but I still found it hard to let go of the research without being able to answer all my questions. I have to accept that many aspects of these women’s lives will never be known. In fact, even though I have created file folders for each of them, sometimes I can’t even find them in the census; sometimes, I can’t tell you very much at all. These limitations are true for many historical topics, but women are hard to trace, and working class or immigrant women left very little behind. Still, I confess that I enjoy the digging, and digitized newspaper databases have really opened up possibilities to find new leads—as long as women made news. Few did, but since I am looking for activists, I am occasionally lucky enough to find organizations, meetings, and speeches. Of course there are limitations to using newspapers too, but some of the women in my forthcoming book only came to life when I stumbled across them in the press. They left no other sources.

For example, Mary Donnelly worked for the socialite and suffragist Alva Belmont. She ran a suffrage lunchroom for Belmont in New York City where working women came for an affordable meal. She had previously been a matron at the Queens County jail where she was fired (I don’t know why), but later she accused the jail of abusing female prisoners. There is a lot more to this outspoken woman’s story, but I doubt I will ever find it. Another Catholic suffragist, Sara McPike, led the St. Catherine’s Welfare Society and became an active supporter of the Democratic Party. She believed that the votes of Catholic women could help protect against radicalism, revolution, and changing gender roles. Frances Perkins (who served as Secretary of Labor under FDR—the first woman to hold a cabinet position) described McPike as a “troublemaker” who accused those she disagreed with of being communists, but she also acknowledged the importance of Catholic women’s support for the suffrage movement. Kate Hogan was a lawyer and a teacher, who led a New York’s teacher organization in the fight for an equal pay law in the early 20th century, but she died of pneumonia in her first year. I hope to return to her story, but fear that I will not find much.

These are just a few of the activists that I have been trying to trace. They were all Irish American; they appear rarely (or not at all) in current scholarship, and their stories are incomplete. They could never be the subject of a biography or even an article, but collectively their stories do show a rich history of political organization and participation by women who were asking for equal rights and equal pay. They made significant contributions to women’s history, at least on the local and state level. I began this project to show that Irish American women sought to shape their communities through political activism, and I found more women than I expected, even if what remains of some of their lives is only fragments.


Tara McCarthy is an Associate Professor of History at Central Michigan University and the author of Respectability and Reform: Irish American Women’s Activism, 1880-1920, which is coming out this month from Syracuse University Press.